Showing newest posts with label Designer Collabos. Show older posts
Showing newest posts with label Designer Collabos. Show older posts

2/5/10

Sonia Rykiel Pour H&M Knitwear Collection Preview

A French colleague and I were trading anecdotes yesterday about how, as kids, we felt bereft that we didn't receive mail the way adults did, when getting mail seemed such a worldly and grown-up privilege. My colleague shared a story about one of her babysitters who, in what was meant as a kind gesture, sent her a letter, which apparently infuriated my then five year-old coworker. "Why?" I asked, thinking that if anything she should have been happy to get a piece of mail of her very own. "Because somewhere inside," she stated practically and with a shadow of her old childhood indignation, "I knew that she pitied me and I thought, 'I don't want your pity!'" Throughout the rest of the afternoon, I kept conjuring an image of a red-faced, Madeline-like little girl, clutching a torn envelope tightly in her fist while shaking it up at her befuddled babysitter and shouting, "I don't want your pity!" The whole episode just struck me as utterly endearing and so very French.

Very French and endearing is also how I'd describe Sonia Rykiel's capsule collection for H&M, the latest in their mostly stellar series of designer collaborations. I had a chance to preview the wares last night at West Village boîte Bobo amid a wallop of fashion scenesters and models (Chanel Iman served as the house DJ). Nathalie Rykiel, Mme. Rykiel's daughter and the current President of the label, held court in a banquette under a barrage of interview and photo requests, one of which she kindly ceded to the Curb. (Look, Rykiel's a serious innovator and trailblazer in fashion, and I've followed her work practically since I picked up my first Vogue as a kid, so don't you judge me [too much] for that slightly manic, I-just-won-Publishers-Clearinghouse grin on my mug.)

My mind already on things French and Madeline, I think the collection itself embodies a style the beloved child heroine herself might have adopted if she grew up to own a bubbly, Dylan's-like candy shop, to which she'd ride a bike with a wicker basket every day. These clothes, too, do not want your pity: they are unapologetically fun and whimsical, and confident about it. Bright and bold colors abound, along with rhinestones, stripes, frills, and bows. Diminuitive cloth purses, breezy berets, skinny patent leather belts studded with grommets, and chunky bangles whose colors mirror that of the clothing make up some of the accessories. Several pieces are adorned with block-letter embellishments that spell out "Mon Pull" ("My Pullover"), which I loved as a wink-wink reference to the collection's roots in knitwear. Gals who go for mod-ish femininity will make a play for a lot of these pieces, and the rest of us will likely find one or two items to pair with and brighten up bland staples, such as jeans, a white button-down, or black pants.

The venue itself featured a bit of beauty and fashion-related detritus repurposed for décor (my blog sister-from-another-mister Felicia and I were endlessly amused by an old school standing hair-dryer-cum lamp); whether that was intentional or accidental, it added a cool thematic dash to the proceedings.And so, kids: that's all there is, there isn't anymore.

The Sonia Rykiel pour H&M knitwear collection arrives in stores February 20. Visit H&M's site for more details.

8/17/09

Seen ünd Heard


I might have to jump in line for the new Comme des Garçons + Converse capsule collection. This has far more potential for success than did CDG's collabo with H&M, which was somewhat disappointing. Given their singular, very niche place in the market, Rei Kawakubo's designs might fare much better when pared down to just a few items rather than an ambitious 20+ pieces mass retail collection, much as I absolutely love the H&M designer lines. (Women's Wear Daily)

New York Magazine "distills fall's trends to their fundamentals," which include "color," "patterns," and "black dresses." Groundbreaking, eh? In other news, "seams", "zippers" and "shirts" also seem to be making comeback. (NY Magazine)

A tad more thrilling is the mag's round-up of new nail polishes for fall, which includes all sorts of yummy descriptions like "Dry Martini" and "Goldschläger-esque gold flakes." I think the nail guy should have taken the trend guy out for a liquid lunch. (NY Magazine)

Pretty on the Outside stumbles on a veritable goldmine of wedding wear in Santa Ana's heavily Latino Art District. It's cool that she looks at the pieces as legitimate fashion rather than dismissing them as just ethnic hot disasters. Even though some are--and I say this as a Latina who once wore similar concoctions--straight ethnic hot disasters. (Pretty on the Outside)

Absolutely fab musings on the "Good" and "Bad" hair ethos by Clutch's Roxsanne Laplume. (Clutch Magazine)

Can you hate the artist but the love the art? The New York Times' Ethicist, Randy Cohen, carries out the conversation in two posts (Part I, Part II) on his NYT blog. As a Caravaggio-loving, dead white male admiring, Antebellum South architecture-appreciating person (of color), I absolutely grapple with this issue. It also comes into play any time I watch NYC Prep but I think that's more about self-loathing for my love-hate relationship with PC.(The New York Times)

Katie Holmes is launching a kids' clothing line based on the adorably haughty Suri Cruise. The line will fall into the "premium designer" category, not surprising given "Suri's" penchant for custom-made Roger Vivier. (People StyleWatch)

Image Credit: Women's Wear Daily